06.29.26

A Greek gallery decamps to the beach, a beloved coffee shop opens in Chicago, and more

Plus: Salt and pepper shakers that would make Deborah Vance squeal with delight

06.23.26

I Expected to Love My First 3Days of Design in Copenhagen. But I Could Never Have Anticipated What Would Make It So Great.

If you can believe it, this was my first year attending 3DaysofDesign in Copenhagen, and I went to the fair, now in its 10th year, armed with absurdly high expectations. I knew that just existing in Copenhagen in early June — using Lime bikes to cycle around, drinking natural wine, eating smørrebrød — would set a good baseline for fun. But after my experience at Salone, which I wrote about here, I felt increasingly desperate for Copenhagen to mean something. I told people I was going because, as a chronicler of design fair culture, I felt compelled to see one that had become such a word-of-mouth success. But on a personal level, it’s like I needed Copenhagen to prove to me that design fairs were still worth attending. As hesitant as I am to say this — lest everyone frantically start planning their show next year in Denmark, which is simply not the right move for everyone — Copenhagen actually exceeded my expectations.

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06.11.26

The Weekly

Four Perfect Parisian Apartments — Two of Which You Can Rent — and Three Exhibitions to See Now

Plus: Mirrors of the week, including one shaped like toast.

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06.05.26

The Weekly

Ceramic “burlwood,” vintage nightclub chairs, bronze reliefs, and more from Lisbon Design Week

Proof that small design fairs are thriving in 2026.

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10.10.23

Up and Coming

This Graphic Designer–Turned–Cabinetmaker’s Dyed-Wood Furniture is, Well, To Die For

Paris-based designer Jonathan Cohen has been working in wood for only a couple of years. Initially trained as a graphic designer, his eye for flat compositions naturally transferred into the three-dimensional world of furniture, with his creations quickly catching the eye of top architects and designers and local galleries. “When you have knowledge of good proportion, shape, and balance, you can design a letter or furniture,” Cohen says. “For me, it’s almost the same.” What lends the designer's work a certain je ne sais quoi, however, is the unique dye treatment he uses, applied in various techniques to bring out the grain and texture of the wood — forming patterns reminiscent of those created by Memphis artist Nathalie du Pasquier.

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